A Storehouse Takeo's Art-2

interesting Exhibition-'06 May

Katsuhisa Toda exhibition
戸田勝久展　〜きのうの空〜
2006.5.12〜21
MORI ART GALLERY
森画廊　姫路市白銀町96番地
©2006 Katsuhisa Toda


Yukio Fukazawa exhibition
深沢幸雄展　ー銅版画からガラス絵までー
2006.5.13〜6.11
Kami City Museum of Art
香美市立美術館　高知県香美市土佐山田町262-1
©2006　Yukio Fukazawa

A Storehouse of Takeo's Art

Black in red 1984 ©Tetsuchan 2006


1985 ©Tetsuchan 2006


Works ©Tetsuchan 2006


Meke・Weage 1988 ©Tetsuchan 2006


1988 ©Tetsuchan 2006


OPERATION FOR CATARACT 1989 ©Tetsuchan 2006


The 63th Kokugakai exhibition 1989 ©Tetsuchan 2006


Ai to shi no tawamure 1990 ©Tetsuchan 2006


Akebono in spring. 1991 ©Tetsuchan 2006


Yumedono-'92 1992 ©Tetsuchan 2006


in Hanshinjiritsunoie 1993 ©Tetsuchan 2006


in Hanshinjiritsunoie 1993 ©Tetsuchan 2006


EKADANPI 1993 ©Tetsuchan 2006


SHI SHI O DO SHI 1994 ©Tetsuchan 2006


OP-TI-MISM 1995 ©Tetsuchan 2006


March-'96 1996 ©Tetsuchan 2006


Ametsuchi(kanagu)8-'97 1997 ©Tetsuchan 2006


OPTIMISM 98-A 1998 ©Tetsuchan 2006


OPTIMISM 99-A 1999 ©Tetsuchan 2006


OPTIMISM 2000-A 2000 ©Tetsuchan 2006


OPTIMISM 01-A 2001 ©Tetsuchan 2006


OPTIMISM 02-A 2002 ©Tetsuchan 2006


OPTIMISM 03-A 2003 ©Tetsuchan 2006


OPTIMISM-Y 2004 ©Tetsuchan 2006

Please see 'Garelie Takeo'of Previous posts about an initial works.

Galerie Takeo

©2006 Tetsuchan

Writer introduction
Takeo Matsuhara(1912~ )
Born in the Hyogo Prefecture Itami-cho (present Itami City).
He helps father's family business. The sketch is learnt in 'Nakanoshima western-style painting laboratory' in 1932(20 years old).It becomes Shigeyoshi Hayashi painter's disciple and realism is studied in year of the '34 after two years.It is selected to'All Kansai art exhibition 'unknow' of the '34 year, The 5th independent art society exhibition 'land for sale in lots' of the '35 year,The second time 'The Ministry of Education art exhibition(Bunten)-Unkei-' of the '38 year , and The 14th Kokugakai exhibition'-Snow(Valley)- of the '39 year.

©2006 Tetsuchan
All Kansai art exhibition 'unknown' 1934
全関西美術展 '不詳'1934


©2006 Tetsuchan
The 5th independent art society exhibition 'land for sale in lots' 1935
第5回独立美術協会展覧会'分譲地'1935

However, it is called out to the '39 year military forces. Meanwhile, it lives an army life to the end of the war with Southeast Asia though it returns home once.It becomes call release of the '45 year, it has "a narrow escape from death", and it returns.


©2006 Tetsuchan
The 2nd Ministry of Education art exhibition 'Snow scene' 1938
第2回文部省美術展覧会'雪景'1938


©2006 Tetsuchan
The 14th Kokugakai exhibition 'snow (valley)'1939
第14回国画会展覧会'雪(渓谷)'1939


©2006 Tetsuchan
The 18th Kokugakai exhibition 'Chizu Snow scene'1943
第18回国画会展覧会'智頭雪景'1943


©2006 Tetsuchan
The 2nd The Japan Fine Arts Exhibition 'Snow scene' 1946
第2回日本美術展覧会'雪景'1946


©2006 Tetsuchan
The 26th Kokugakai exhibition'Moon'1952
第26回国画会展覧会'月'1952


©2006 Tetsuchan
The 30th Kokugakai exhibition'Works'1956
第30回国画会展覧会'作品'1956


1957 ©2006 Tetsuchan

However, it is called out to the '39 year military forces. Meanwhile, it lives an army life to the end of the war with Southeast Asia though it returns home once.
It becomes call release of the '45 year, it has ''a narrow escape from death'', and it returns.
It exhibits immediately in the 2nd 'Japanese art exhibition' on the '46 autumn of year (Bunten changing the title). And,'The Kokugakai exhibition' is exhibited
every year after year of the '47.
The landscape and the person picture are produced for a while in postwar days.
However, a constructivism work is gradually produced. The concern to the abstraction painting buds in around 1954.
It is enchanted to the world of 'Chance inevitability' woven in hanging enamel down without searching for an original style of painting after that, and using the brush for the support body (Canvas) that is the space of nothing.
The work that expresses teach in"It is to tell the truth really useful that there is nothing, too" that Loushi recited by this technique in the painting is produced until 1996.
A past technique is thrown away, daily necessaries are produced in the support body since the '96 year, and the work that makes this Loshi's world deepened further by a new technique for conflicting with a current technique for coloring with a collage and a brush is produced. It extends it to now that exceeds 93 years old.

作家紹介
松原武雄（1912~ )
　兵庫県伊丹町（現伊丹市）に生まれる。1932年(20歳)のときに父の家業を手伝いながら中之島洋画研究所に通いデッサンを学ぶ.2年後の’34年、林 重義の門下に入り徹底した写実の勉強をする。’35年全関西洋画展、’36年第５回独立美術協会展、’38年第２回文部省美術展（文展）、’39年第１４回国画会展に入選する.しかし’39年軍隊に招集される。一度は帰国するがその間終戦まで南支那で軍隊生活を送る。’45年招集解除となり九死に一生を得て帰還する。早速’46年秋の第２回日本美術展(文展改称)に出品,そして’47年以降は毎年国画会展出品する.
　戦後しばらく風景画や人物画を制作する。しかし次第に構成主義的な作品を制作する。1954年頃から抽象絵画への関心が芽生える.それ以降独自の画風を探求、無の空間である支持体(カンヴァス)に筆を使わず絵具(エナメル)を垂らすことで織りなす'偶然と必然’の世界に魅了される。この手法により老子が唱えた「無之以為用（なにもないことが実は本当に役立つのである)」の教えを絵画で表現する作品を1996年まで制作する.
　’96年以降は従来の技法を捨て去り、支持体に日用品をコラージュ、筆を使って色を塗るこれまでの技法と相反する新たな手法により、この老子の世界をさらに深化させる作品を制作する。それは93歳を越えるいまに及んでいる.